Luckily, both DAWs support the VST plugin format, so there shouldn’t be an issue there.Īpple has a limited version of this technology, as you can open up projects created in GarageBand right in Logic Pro X and maintain settings. Also, your plugins must already be installed in both DAWs to instantly transfer settings. There are some limitations, as you can only transfer between Bitwig Studio and PreSonus Studio One until other software applications get on board. The time data and automation stuff is really interesting, as this includes fades, time warping, transposition and other chores that are really annoying to re-do over and over again. All you have to do is save the song as a DAWproject file in one DAW and open it in another. This includes time data, audio information, automation, MIDI notes and plugin settings.
The format keeps track of all relevant information across every track and channel in the entire project. The Jack it's too delicate, too thin, you might thing it will break soon, sometimes it sound like sand (with 2 month of use with delicate management) so it wont be able the double connector adapter, you need to connect the 3 and 4 outs to ANOTHER device so it's a kind of setback (it seems to be space from another phone jack but UA leave to last version of volt), but it works very well !, nonetheless it has the possibility of doin it, thats why 4 stars, but i love it.DAWproject files go much further than simple audio WAV data. The trouble it comes when i have to recording and i need another pair of phones. I have it from march and i love it, the compressor is a little hard and smooth and preamps are smooth too and very clean. Pero trabajando solo niun drama funciona de pana. Lo que me complica es al querer monitorear desde el DAW dos salidas independientes de audífonos, el conector de audífono es muy débil (con dos meses de uso ya genera ruido y tiene holgura al conectar o desconectar el trs del audífono), si quiero tener a una persona grabando con audífonos mientras yo estoy monitoreando la grabación con audífonos NECESITO necesariamente otro dispositivo para conectar la otra salida, en mi caso uso la salida 3 y 4 para entrar a una consola soundcraft y salir con mi segunda señal de audífonos. La tengo desde marzo y he probado todo, en conclusión una excelente interfaz de calidad profesional a un precio accesible, me encantan los pre amplificadores y el compresor que viene integrado, es un poco agresivo pero hay que acostumbrarse. Overall seems great on paper but there are more reliable interfaces at a lower cost, or ones with much better feature sets just above volume and preamp pots are already scratchy after a year Nice to have analog hardware but usability isn’t really there for professional recordings. This is fine with 1-2 instruments, but the noise stacks up quickly and becomes unbearable at higher levels.
It’s supposed to be modelled after and 1176, but is not within the range of signal to noise quality. It lacks a lot of detail and my MacBook pro’s high impedance headphone out is substantially better to the point of avoiding the interface altogether. Headphone amp is lacklustre and probably the worst of any interface I’ve tried. The hassle has moved us to other interfaces and in my opinion is an unacceptable business practice on UA’s part.
I run this in a shared space and we are all unfortunately having to constantly deactivate/reactivate the serial number on the interface.
‘device activation’ required for the hardware is pretty ridiculous. Quality control issues make this a no-go for stereo recording discrepancies between preamp gain levels and noise levels on each mic pre and compressor. built in compressor really handy when using with apps such as zoom or discord where digital routing is not feasible or easy Excellent sounding DI for instruments like bass and guitar, possibly class leading Overall, this is close to being a very good interface but it’s issues may not be worth the price. I’ve had this interface for roughly a year and have used it in a countless amount of circumstances.